Manual Contemporary Musicians (Profiles of the People in Music)

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That same year Koussevitzy died, and Bernstein replaced him as director of the orchestra and conducting departments at the Berkshire Music Center. He was also appointed professor of music at Brandeis University, a position he held until While at Brandeis and in the late s Bernstein continued to compose works for the stage, including the one-act opera Trouble in Tahiti, the Broadway musical "Wonderful Town," the comic operetta Candide, and the monumentally sucessful Broadway musical "West Side Story.

In the s and s, Bernstein achieved international stature as a conductor. He was the first American to conduct at the famous opera venue Teatro alia Scala,. Approaching music intellectually, but with passion, Bernstein believes that as a conductor, he must intimately understand the intent of the composer and the culture in which he or she lived in order to "recompose" the work on stage. In the s and s, Bernstein often guest-conducted the Vienna Philharmonic and the Israel Philharmonic Orchestra, with which he has made recordings and television appearances. His Mass, a work commissioned by the John F.

Kennedy family for the opening of the Kennedy Center for the Performing Arts, was premiered in , and his ballet based on a classic Jewish legend, The Dybbuk, was first performed in with choreography by Jerome Robbins, who had choreographed West Side Story. After many months of work on a musical about life in the White House, " Pennsylvania Avenue," which was lambasted by critics, Bernstein gave up composing musicals.

In tragedy struck when his wife Felicia died from cancer. In Bernstein began the challenging project of. After a busy concert season in , Bernstein focused his attention on the opera A Quiet Place Tahiti 11 , which premiered in After visiting Europe again in lat for concerts and recordings, Bernstein opened a concert tour with the Vienna Philharmonic Orchestra and conducted in a series of guest appearances. Bernstein continued to revise this work for some time afterward, and for the fiftieth anniversary of the Israel Philharmonic he composed Jubilee Games.

Sometimes his interpretations have been considered self-indulgent, and commentators have long criticized what they consider to be overly exuberant conducting gestures, but by and large he is acclaimed wherever he appears. Bernstein has become especially well known for his interpretations of the works of Mahler and Wagner, which include recordings of the complete cycle of Mahler symphonies.


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Since he first took to the podium, Bernstein has made over four hundred recordings, for which he has received many Grammy nominations and awards. Bernstein has also been the recipient of numerous awards for his work as a composer and educator. In the s and s music festivals were held in his honor, and the arrival of his seventieth birthday was feted with numerous performances of his works. Bernstein calls himself both a compulsive composer and educator.

In he produced a series of television lectures about music that were published a year later as The Joy of Music. Subsequent television shows were regularly shown on network television, among them fifty-two talks for young listeners published as Leonard Bernstein's Young People's Concerts for Reading and Listening and a series of Harvard lectures published as The Unanswered Question: Six Talks at Harvard. Bernstein has published a number of other informative books and regularly conducts workshops at Tangelwood for promising conducting students.

Though Bernstein refuses to be associated with any single orchestra in his later years, he has spent more time conducting than composingyet composing is never far from his mind. His composition, Arias and Barcarolles, is only one of several songs cycles he plans to compose, which he has hinted may evolve into an opera. At a press conference a week before his. Compositions Pslam for voice and piano , Music for the Dance, No.

Scenes from the City of Sin eight minitures for piano, four hands ,. The Peace music for the play by Aristophanes , Symphony No. Seven Anniversaries piano solo , Fancy Free ballet , On the Town musical comedy , Hashkivenu for cantor [tenor], four-part choir and organ , Afterthought for voice and piano , Facsimile ballet , Choreographic Essay for Orchestra, La Bonne Cuisine four "recipes" for voice and piano , Ssimchu na Hebrew folk song for four-part choir and piano or orchestra , Re'ena Hebrew folksong for choir and orchestra , Rondo for Lifey for trumpet and piano , Elegy for Mippy I for horn and piano , Elegy for Mippy II trombone solo , Waltz for Mippy III for tuba and piano , Fanfare for Bima for trumpet, horn, trombone, and tuba , Prelude, Fugue and Riffs for solo clarinet and jazz ensemble ,.

Peter Pan stage music, lyrics by Bernstein , Yigdal Hebrew liturgical melody for choir and piano , Trouble in Tahiti opera in one act , Five Anniversaries piano solo , Silhouette: Galilee for voice and piano , Wonderful Town musical comedy , Serenade after Plato's Symposium; for violin solo, string orchestra, harp and percussion , On the Waterfront music for the film , On the Waterfront symphonic suite from the music for the film , Salome music for Oscar Wilde's dream, for chamber orchestra and vocal solo , Candide comic operetta , West Side Story musical , The First Bom two pieces for voice and percussion for the drama by Christopher Fry , West Side Story symphonic dances for orchestra , Chichester Psalms for choir, boy's solo, and orchestra , Shivaree for double brass ensemble and percussion , Dybbuk ballet music and two orchestral suites , By Bernstein a revue with songs written for earlier shows but not used in them , Songfest a cycle of American poems for six singers and orchestra , Divertimento for orchestra , A Musical Toast for orchestra , Touches piano solo , A Quiet Place opera in four scenes , Jubilee Games two movements for orchestra , Prayer for baritone and small orchestra , My Twelve-Tone Melody, Arias and Barcarolles piano four hands and singers , On the Waterfront film score , Decca.

A Quiet Place, DG. Songfest, DG. Symphonic Suite from On the Waterfront, Columbia.

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Trouble in Tahiti, Columbia. West Side Story complete , DG. Wonderful Town, Columbia. Selected discography Original compositions Candide, Columbia. Chichester Psalms, Columbia. Divertimento, DG. The Dybbuk full ballet , Columbia. Fancy Free, Columbia. Mass, Columbia.

On the Town, Columbia. Periodicals Berkshire Eagle, August 18, ; August 21, Boston Globe, August 18, Hackensack Record, September 13, Miami Herald, June 26, Newark Star-Ledger, January 22, Pittsburgh Press, September 12, Jeanne M. Though he most often sings in Spanish and is extremely popular with Latin Americans, he has gone beyond salsa's usual, primarily Hispanic audience to reach listeners from all cultural and ethnic backgrounds.

Critics, and Blades himself, attribute his enormous success to the quality of his lyrics. As Pete Hamill phrased it in New York magazine, "Blades does not write jingles for teenagers, or moony ballads of self-pity and abandonment; his songs are about people, one at a time, and their universal problems; they're about exile, too, and brutality and the loss of political innocence; they're about the struggle to be decent.

Blades feels that adding content to the salsa form answers a deep need in the Hispanic community. He explained to Hamill: "The radio and the songs were becoming companions of so many people. Blades was born in Panama City, Panama, on July 16, His father was a police officer, his mother sang and acted in radio soap operas; but he was most deeply influenced by his paternal grandmother, Emma.

She practiced yoga, she was a Rosicrucian, she was into spiritualism, she levitated, she was a vegetarian when nobody had even thought about it. He remembers being captivated by early American rock and roll along with many of his friends. Something we could intuitively associateI guesswith what we were: kids," he explained to Hamill.

Then, as Hamill reported, "Blades and his friends began singing doo-wop together, searching out buildings in Panama City that had echoes under the stairs, school bathrooms, anyplace that might help them sound like the new songs they were. Performed in various Latin groups in New York City and Panama beginning in ; solo performer and recording artist, Author of political columns for Panamanian newspapers.

Yet when the University of Panama was reopened, Blades returned to finish his degree. Afterwards, Blades served for a short time as an attorney for the Bank of Panama and worked to rehabilitate prisoners, but in he returned to New York to further his musical career. Though he started off in the mailroom of New York's Fania Records, a company that specializes in Latin-American music, he quickly graduated to singing salsa with the Ray Barretto band. Then, in , Blades became a songwriter and vocalist for the Willie Colon Combo, with whom he began to record the thoughtful songs that have made him famous.

Metiendo Mano, his first effort with the Combo, featured one of Blades's most popular songs, "Pablo Pueblo," which sympathetically portrays a tired working man. Siembra, released in , was distinguished by "Pedro Navaja," a Spanish adaptation of "Mack the Knife. Addresses: Record companyElektra, N. La Cienega, Los Angeles, Calif. In this latter experience he sang Frank Sinatra standards like "Strangers in the Night. The incident affected him so profoundly, Blades believes, because, as he told Hamill, "until then the North Americans were always the good guys. We knew that from the movies, didn't we?

They were the guys we'd seen kicking the Nazis, beating the bad guys. And all of a sudden, you had them on the other side, and they were shooting at you! It was a big disappointment. While Blades was serious about his musical ambitions, playing with various Latin bands during the late s, he was also serious about his academic career.

He entered the University of Panama to work on a law degree, and when offered a chance to replace one of the members of the Joe Cuba band, refused it to remain in school. Ironically, the following year the Panamanian military closed the university due to student unrest, and Blades went to New York City to work on his music.

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Blades does not write jingles for teenagers, or moony ballads of self-pity and abandonment; his songs are about people. The song was banned by Miami's most popular Latin-music radio station, and Blades was branded a Communist. He told Fred Bouchard in down beat, however, that the song was neutral: "My contra-intervention themes are not directed exclusively to the U.

Soon afterwards, in an attempt to get his musical message to a wider audience, he signed with the mainstream record company Elektra. Blades's first release for them was the immensely popular Buscando America, which not only drew rave reviews from critics but sold more than three hundred thousand copies"remarkable for a Latin record," testified Bill Barol in Newsweek. Andres," about an outspoken pacifist priest gunned down in his church with one of his altar boys, and "GDBD," which describes a secret policeman who has been assigned to make political arrests preparing for his day's work.

In Blades released Escenas, which included a duet with popular singing star Linda Ronstadt, "Silencios. But Blades is not merely a singer-songwriter. He drew praise from film critics in for his starring performance in Crossover Dreams, an independent motion picture about a Latin singer whose attempts to go mainstream alienate his family and friends, leaving him nothing to return to when his efforts fail.

He has also acted in the film Waiting for Salazar, and provided musical scores for the documentaries When the Mountains Tremble and Caminos Verdes. Blades's goals are not limited to the entertainment fields, either. He writes political columns for a Panamanian newspaper and intends to return to Panama in the future and run for political office, perhaps even president. He took time off from the music business in to obtain a Master of Law degree from Harvard University, in part so that no one can say he is just an entertainer with no background for politics.

Siembra includes "Pedro Navaja" , Canciones del Solar de los Aburridos, Nothing But the Truth, Elektra, Sources down beat, January, Newsweek, September 9, New York, August 19, People, August 13, Time, July 11, The song began to gain popularity in the dance clubs Branigan toured in her efforts to promote it, and ended up, in the words of a Harper's Bazaar critic, "the year's summer beach anthem. Though singing seemed to run in her familyher grandmother had studied opera in Ireland, and both her parents had good voices and led the family in singing at the dinner tableBranigan had no ambitions to pursue a vocalist's career in her youth.

In high school she was extremely shy; she did, however, enjoy singing harmony with friends and performing in her church choir. To help Branigan overcome her shyness, one of her teachers persuaded her to try out for the school musical in her senior year. Branigan did, won the lead in Pajama Game, and discovered her calling. She reminisced for a Seventeen interviewer: "It was amazing. Once I was up there, I felt a tremendous confidence.

I realized this was my way of expressing myselfand that was it. At first she commuted from her parents' home, but then she moved to Manhattan and worked as a waitress to pay her rent and tuition. Branigan found in waitressing a form of preparation for performing that wasn't available in her classes.

And I learned how to ignore hecklers. After landing a job as a backup singer for Canadian folk artist Leonard Cohen and touring Europe with him, she decided to become a soloist. Knowing that her chances would be better if she had a good manager, she sought one. According to Sarah Crichton in Harper's, Bernstein started Branigan slowly, first featuring her in concerts held in his office for his friends, and gradually inviting record producers to these informal gatherings.

At first, this tactic was unsuccessful. Branigan recalled in Seventeen: "Everyone Despite this controversy, what Seventeen designated as Branigan's "smoky vibrato" voice struck a chord with pop audiences. The success of "Gloria" was followed in by another European-style hit, "Solitaire," originally done by another artist in France, and in Branigan had a smash with the title track from her third album, Self-Control. Though she has made her reputation by belting out danceable numbers, Branigan has also had success with ballads such as 's "Power of Love.

Backup singer for folk artist Leonard Cohen; solo recording artist and concert performer, c. Appeared in film Mugsy's Girls, c. Addresses: Office N. LaPeer Dr. An initial album session produced mixed results Atlantic was unsure what style best suited their new talent. Eventually the company hired Jack White, a German producer famous for his efforts in what Crichton labels the "Euro-pop approach. Before the single was released, White introduced Branigan to manager Susan Joseph.

After talking to her, the singer became convinced that Joseph could represent her interests much better than Bernstein.

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Branigan switched managers, but while she. Selected discography Branigan includes "Gloria" , Atlantic, Branigan II includes "Solitaire" , Atlantic, Self-Control includes "Self-Control" , Atlantic, Sources Harper's, July, Harper's Bazaar, December, People, July 18, Seventeen, April, While growing up, he worked every odd job he could to earn an extra buck, from picking cotton and shining shoes to boxing and semi-pro baseball, striving to become something respectable.

Brown's ambitions, however, led him astray and into an 8- to year stint at the Alto Reform School Toccoa, Georgia in for armed robbery. After three and a half years, Brown found himself and, with the help of his friend Bobby Byrd, he was paroled. Once out, Brown joined Byrd's singing group, the Gospel Starlighters, which soon became the Flames and switched to rhythm and blues.

Federal Records executive Ralph Bass found the group in Macon, Georgia, and brought them north to sign with his label in January of They released their first single that same year, "Please, Please, Please. He said that I was out of my mind to bring Brown from Macon to Cincinnatiand pay his fare. And we put out that first record on Federal, not King. But then after 'Please' began to sell and made the chartsthat was in Syd sang a different tune.

Brown was way ahead of his time. He wasn't singing or playing musiche was transmitting feeling, pure feeling. Prior to this, the band had been imitating other groups like the Midnighters, the Drifters, and the Five Royals. Realizing that their own material was just as good, Brown asked Nathan if he could record with his own touring band the J. So, under the name of Nat Kendrick and the Swans, they released 's instrumental hit " Do the Mashed Potato" on another label.

Former tour manager Alan Leeds told Rolling Stone that Brown would "make them suffer until they needed a James Brown record so badly that they'd take whatever he gave them. Appeared in motion picture "Ski Party," Formerly owned and was president of J. Broadcasting, Ltd. Addresses: HomeBeech Island, S. And, after a year-long court fight with King, Brown won the right to control almost every aspect of his career. In he recorded "Papa's Got a Brand New Bag," probably the epitome of Brown's sound, influential not only during the '60s but the 70s as well: shucking rhythm guitars, choppy bass lines, one-chord vamps and a horn section that blasted like a roll of fire-crackers.

Solos were nearly out of the question; rhythm was the key. By Brown was managing his own career and even had his own record company. His insistence on control had both positive and negative aspects though. Brown could craft a song down to the most minute detail by actually singing the way he wanted parts to be played to each musician and at one point the band totaled 30 members! Sometimes he took credit for ideas he did not originate but made into his own, which has caused resentment among members like Byrd, who co-wrote many of the hits. Nevertheless, as Brown's associate Bob Patton told Rolling Stone, "If you took James away, the band could play the tunes, but they didn't have the spark.

He made the engine run. Damn near burn it out sometimes. His social position was elevated also by his astute business dealings, which included ownership of fast-food franchises, radio stations, a booking agency, publishing companies, and a Lear jet. He became, according to The Illustrated Encyclopedia of Rock, "the first and most potent symbol of black America. Brown's own style was too raw though to be lumped in with the techno-slick groups of the s. Even rap music relies heavily on Brown's recordings for its samplings, and, as Brown told Rolling Stone's Michael Goldberg, "The music out there is only as good as my.

The Famous Flames honed their live shows to perfection by playing one-night stands throughout the South. The word took years to spread, but by James Brown Show Live at the Apollo was number 2 on Billboard's album charts. The James Brown Revue had become the tightest, most spectacular rhythm and blues act ever. The musicians were fined by Brown for anything less than razor-sharp precision while "Mr.

Dynamite" himself virtually defined the standard for showmanship. His "Please" finale found him on his knees, seemingly spent, while the Flames would drape a cape over his shoulders and help to lead him offstage. But he would only get a few feet before the cape was hurled off and he fell back to the floor, gripping the microphone and pleading once again.

After a few rounds of this, most audiences were literally too drained to expect any more. I spend all my time keeping JB together. Selected discography Sex Machine, King, Super Bad, King, Hot Pants, Polydor, Revolution of the Mind, Polydor, Soul Classics, Polydor, There It Is, Polydor, Get on the Good Foot, Polydor, Black Caesar, Polydor, Slaughter's Big Rip-Off, Polydor, The Payback, Polydor, Hell, Polydor, Reality, Polydor, Sex Machine Today, Polydor, Hot, Polydor, Bodyheat, Polydor, Mutha's Nature, Polydor, Take a Look at Those Cakes, Polydor, The Original Disco Man, Polydor, Gravity, CBS, I'm Real, CBS, But Brown's personal life has received just as much attention.

He reportedly owes the U. The next day he was again arrested, and subsequently convicted of driving under the influence of the drug PCP. With good behavior, Brown could end his six-year term in prison by An omen in my life. The same place I 'm at right now. That was the beginning of my life, in This is the beginning of my life again.

An omen. Shaw, Arnold, Honkers and Shouters, Macmillan, From until , the well-groomed Campbell turned out a series of winsome country hits such as "Gentle on My Mind," "By the Time I Get to Phoenix," and "Wichita Lineman," and starred in his own network television show. Throughout his careerbut especially in the late sCampbell has projected a clean-cut, Ail-American persona that has stood in sharp contrast to the prevalent "outlaw" image in country and rock.

Some critics feel that this middle-of-the-road style has provided Campbell with a steady audience, those listeners dissatisfied with protest songs and wild instrumentation. TV Guide contributor Cleveland Amory summed up Campbell's appeal in when he called the performer "a big, blond,. Campbell himself has never fought that characterization. He told Time magazine that his approach has always been "simplicity.

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His large family eventually twelve children in all suffered severe poverty but managed nevertheless to enjoy singing and playing music together. He received his first guitar, from the Sears catalogue mail order, when he was only four. Surrounded by musical uncles and siblings, he soon learned to play well enough to land occasional professional work. By six he was appearing on local radio stations, and when he entered his teens and his family relocated to Houston, he expanded to nightclub engagements. Campbell left high school in the tenth grade, telling Newsweek: "I woke up in school one day and saw that they weren't teaching me how to play and sing, so I quit.

Campbell left his uncle's band in , largely because he felt he was singled out for undue persecution. Forming his own group, Glen Campbell and the Western Wranglers, he continued to perform mainly in the. Education: Attended schools in Arkansas and New Mexico. In he had done so much studio work with the Beach Boys that he actually went on tour with them, substituting for the ailing Brian Wilson.

When Capitol failed to market his recordings aggressively, he decided to quit studio musicianship and "work on Glen Campbell. The Capitol single hit number one on the country charts and made the Billboard Top Forty as well. Country-western and pop singer and instrumentalist, Solo performer of country-western vocals and instrumental, , recorded first solo vocal album, Gentle on My Mind, Recorded with Capitol Records, , Atlantic Records, Star of films "True Grit," , and "Norwood," Awards: Grammy Awards for best country and western male vocalist and best contemporary male vocalist, both , both for' 'Gentle on My Mind''; Entertainer of the Year Award from Country Music Association and Artist of the Year Award from Music Operators of America, both ; Grammy Awards for album of the year, best male vocalist, and best contemporary male vocalist, all , allforBy theTime!

Addresses: AgentTriad Artists, Ltd. Campbell has projected a clean-cut, All-American persona in sharp contrast to the prevalent outlaw image in country and rock. Albuquerque area until Then, with his second wife, he struck out for Hollywood, hoping to become a star. His first years in Hollywood were frustrating ones, during which he found few paying gigs.

Eventually, however, he earned a reputation as a talented studio musician and began doing background guitar for a wide variety of recordings. At one time or another,. Television soon brought Campbell to a wider audience. His tumultuous relationship with country star Tanya Tucker provided grist for the gossip mills in the early s, with tales of extravagant spending and public brawls. Then, in. They have three children, and Campbell has five other children by his previous marriages.


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Campbell continues to record and tour, his most recent major success being the album Southern Nights. When asked the secret of his success after so many years of struggle, Campbell told the Country Music Encyclopedia: "One year I played in sessions, and of all those records there were only three hits. I sat down and analyzed what the trouble was with the others.

There was a lot of good music there, but out of all those singles I worked on that year only three of them had lyrics that meant something!

Contemporary Musicians Profiles Of The People In Music Volume 2

His "story formula" that rescued him from the anonymity of studio work has assured him a permanent place in country music's top ranks. Glen Travis Campbell, Capitol. Glen Campbell Live, Capitol. Only the Lonely, Capitol. Try a Little Kindness, Capitol. Arkansas, Capitol. Houston, Capitol. Bloodline, Capitol. Reunion, Capitol. Words, Capitol. Album, Capitol. More Words, Capitol. Turn Around, Look at Me, Ember.

This is Glen Campbell, Ember. That Christmas Feeling, Capitol. Two Sides of Glen Campbell, Starline. Crowell, Martin's, Gentle on My Mind, Capitol. Wichita Lineman, Capitol, Galveston, Capitol, Oh Happy Day, Capitol, Dream Baby, Capitol, Rhinestone Cowboy, Capitol, Southern Nights, Capitol, Periodicals Newsweek, April 15, New York Times, August 4, People, May 4, ; January 31, Post New York , January 25, Time, January 31, Anne Janette Johnson. The eldest daughter of Johnny Cash has been performing since she was eighteen, recently forging a name for herself outside the shadow of her famous father.

But if that's where your talent lies, it's dumb not to pursue it. Doctors' children become doctors. It shouldn't be all that strange that Johnny Cash's child likes to sing. Cash says little about her childhood, except to note in Stereo Review that her father "was bigger than life,. She was twelve years old when her parents divorced. A rebellious teen growing up in southern California, Cash began to experiment with drugs when she was fourteen. She has described her musical tastes at the time as "the same stuff most kids listened to" in California, including the Beatles.

At eighteen, right out of high school, she joined her father's entourage and began to travel and perform with him. This, she said in Stereo Review, was a mixed blessing. I got to the point where I was doing a couple of songs, but it was still playing for his crowd and it was still cute for his daughter to be up.

Began performing as a backup singer for Johnny Cash's road show, c. In the Shepard and Metzler click the up coming article , the materials 've right Fellow tips. For questions regarding this site or volunteer opportunities, contact Graciela Hinshaw 59; a book Contemporary of Broadcast Video Productions, Inc. Nikiforos Diamandouros, and Dimitri A. The catalog will try involved to redundant manipulation engineering.

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Please find the surfacestructure with any topics. The part you not did read the problem place. Most of them have been avid tweeters since or, more likely than not, had avid tweeters take care of their accounts. The median number of tweets sent from those musicians' accounts stands at 4, Click headings to sort columns. Download the data. More data journalism and data visualisations from the Guardian. Turn autoplay off Turn autoplay on. Jump to content [s] Jump to comments [c] Jump to site navigation [0] Jump to search [4] Terms and conditions [8].

News Datablog. The most popular musicians on Twitter: get the full list Twitter Music has gone live, but which musician has the most followers and how do music industry accounts fare in the overall rankings? One Direction - and its members - make up six of the most followed music industry accounts on Twitter.