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Yeats's literary life and the most integral to his poetry and drama, Ronald Schuchard's The Last Minstrels provides an historical, biographical, and critical reconstruction of the poet's lifelong attempt to restore an oral tradition by reviving the bardic arts of chanting and musical speech. O25 L34 In this pioneering scholarly work on occult symbols in literature, the reader is offered a vivid look into how W.

Yeats, T. Eliot, and Franz Kafka—three masters of symbolic expression—utilized Tarot cards in their poetry and prose. Focusing on the Tarot's ancient associations with divine knowledge, its pictorial representation of both the Jewish and Christian Cabala, and the Tarot's more recent pedestrian affiliation with the occult, June Leavitt skillfully demonstrates how Yeats, Eliot, and Kafka align themselves in their uniquely individual ways with the Tarot symbols' mapping of reality.

W.B. Yeats, Ezra Pound, and the Poetry of Paradise

M54 C83 Eliot, W. Yeats, Virginia Woolf, and Thomas Mann--conceptualize passion, how they dramatize its upheavals and illuminations, and how it affects their ideas about the creative act. Emphasizing the interplay of aesthetic forms and religious modes, Sean Pryor's ambitious study takes up the endlessly reiterated longing for paradise that features throughout the works of W.

Yeats and Ezra Pound. Yeats and Pound define poetry in terms of paradise and paradise in terms of poetry, Pryor suggests, and these complex interconnections fundamentally shape the development of their art. M44 Non-circulating electronic access. S Jochum Call Number: Z J59 Non-circulating.

W.B. Yeats, Ezra Pound, and the Poetry of Paradise

A23 Non-circulating. Responsibilities: manuscript materials by W. Yeats Call Number: PR Foster Call Number: PR F67 In Words Alone, Roy Foster explores the Irish literary traditions that preceded Yeats, including romantic "national tales" in post-Union Ireland and Scotland, the nationalist poetry and polemic of the Young Ireland movement, the occult and supernatural fictions of Sheridan LeFanu, the "peasant fictions" of William Carleton, and the fairy-lore and folktale collections Yeats absorbed.

Yeats, the Abbey Theatre, Censorship, and the Irish State: Adding the Half-pence to the Pence utilizes new source material to reconstruct the current understanding of the relationship between the productions of the Abbey Theatre and the politics of the Irish state. This study begins in , at the start of the Irish Revolution and in the midst of the theatre's financial crisis, and it ends with the death of the Abbey Theatre's last surviving founder, W.

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B37 S38 Recovering a lost literary movement that was the most consuming preoccupation of W. Yeats's literary life and the most integral to his poetry and drama, Ronald Schuchard's The Last Minstrels provides an historical, biographical, and critical reconstruction of the poet's lifelong attempt to restore an oral tradition by reviving the bardic arts of chanting and musical speech. O25 L34 In this pioneering scholarly work on occult symbols in literature, the reader is offered a vivid look into how W. Yeats, T. Eliot, and Franz Kafka—three masters of symbolic expression—utilized Tarot cards in their poetry and prose.

Focusing on the Tarot's ancient associations with divine knowledge, its pictorial representation of both the Jewish and Christian Cabala, and the Tarot's more recent pedestrian affiliation with the occult, June Leavitt skillfully demonstrates how Yeats, Eliot, and Kafka align themselves in their uniquely individual ways with the Tarot symbols' mapping of reality. M54 C83 Eliot, W. Yeats, Virginia Woolf, and Thomas Mann--conceptualize passion, how they dramatize its upheavals and illuminations, and how it affects their ideas about the creative act.

Emphasizing the interplay of aesthetic forms and religious modes, Sean Pryor's ambitious study takes up the endlessly reiterated longing for paradise that features throughout the works of W. Yeats and Ezra Pound.

W B Yeats, Ezra Pound, and the Poetry of Paradise